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Monetization Strategy

4 min read

This is a story about mixing work and pleasure...

Billion dollar banknote

My inbox is full of an ever-increasing number of requests for me to publish a guest blog. On closer inspection, these are really requests to pay me to put advertising on my website, or links to help other websites to improve their Google search rankings. Basically, I don't get genuine requests from people who legitimately want to share anything here... only online marketing and search engine optimisation people, trying to piggyback on my hard work.

What about that hard work?

Why would I do that hard work, if I'm not getting paid?

Well, although I have moaned about crippling debts for many years, I actually have enough money. Very nearly - once - I came within £23 of bankruptcy, but I've always managed to service my debts, pay my rent, pay my bills, buy food and otherwise pay my way in the world. I wouldn't say money has been plentiful but it has been adequate even though a lot of it has been borrowed in order to bridge the gap between the necessary expenditure to stay in the game, versus being cast out from mainstream society and trampled underfoot. I don't really need whatever pitiful sum of money I could get, by perverting my artwork into a commercial artefact.

Wut?

Yes, that's right. I prefer it that my folly - this monument to my madness and stupidity - is kept as something entirely non-commercial. That means no advertising. No selling data. No product placement. No backlinks. No quid quo pro. You can't offer me anything that I would accept in exchange for turning my idiotic endeavours into a money-making scheme. If I wanted to make money, I'd have done something else. I'm not in this for the money. I don't want to become yet another lifestyle blogger, influencer, social media expert, or other person in that particular area. I'm a writer, and I'm able to write and publish whatever I want, and reach thousands of readers every day, which surely is a writer's dream? I mean, sure, some writers have to eat but c'mon! There are so many easier ways to make money than writing! Surely nobody would be stupid enough to try to make writing into their main profession, when they could just as easily work a fraction of the time, and have the majority of their working week available - free - to pursue any writing project that a writer would want to pursue.

Okay, so I only managed to complete a single novel manuscript to an acceptable first-draft standard, in the 5+ years I've been writing 'full-time' but I also produced a couple of 80% complete manuscripts, plus a 1.3 million word blog with thousands of readers, which appears on the first page of Google for a whole bunch of things that people are searching for. I don't mean this as a boast, but merely to point out that if writing was my objective, I've managed to do plenty, without having to earn a writer's pittance of a salary.

Of course I would love to call myself, more legitimately, a writer. I wish I had the balls to give up my main profession, and pursue writing to combine passion, vocation and work into a single thing, but then, I think I would feel very insecure and touchy about my work. Anyone can tell me "your writing is shit" at the moment, and I'll know that they're wrong, but it's not professional grade either; it's a damn sight better than your average keyboard-mashing internet-dweller, so they can fuck off. If I called myself a writer by trade then I'd probably take it very personally, and get really upset. I've not been writing for long enough, nor had enough external validation, to fend off criticism of my writing, if I was doing it in a professional capacity.

So, if you're thinking of contacting me, asking if I can - basically - help you sell you or your client's product or service, don't expect to get a response back from me, other than an unpleasant one. I don't go out of my way to be unpleasant to people, but some of the people who email me are really aggressive and get unduly unpleasant when I ignore them, which is uncalled for. Also, it pisses me off when people want to use me and my artwork - my folly - to further their contemptible commercial endeavours.

You will never see any ads on this website, and I will never sell the data (what data would I even sell anyway?).

 

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Second Lockdown

3 min read

This is a story about a broken record...

Names

What's the exact idiom? A broken record surely wouldn't play at all, so I always reject the idiom "broken record" thinking it must instead be "scratched record". However, I don't think we really use the idiom "scratched record" so I'll stick with my original preamble, which was probably correct insofar as being a well-understood idiom, but literally wrong, like so many things in life.

Anyway.

I've been a bit of a broken record, meaning that I've been repeating myself a lot.

I'm in lockdown, again. Last time I was in lockdown, I stopped writing because I didn't want to drive myself and everyone else round the bend with my repetitive days; I knew that it would be a marathon, not a sprint, to the finish. The first lockdown lasted longer than almost everyone had anticipated, but I had psychologically prepared myself for it to last many months, so I was OK. I also anticipated that this second lockdown was a certainty, so I was psychologically prepared, except I haven't taken the step of stopping writing.

I was planning on having a totally sober October, as has been my tradition. Also, I was supposed to get a new mountain bike, so I could start getting fitter and shedding some korona kilograms: I've put on weight, having been more sedentary than normal, and also utterly devastatingly depressed about the lack of opportunity this year to have travel and adventure, like normal.

I'm not sure I could stand the sound of my own voice - or my words - if I have to write for a whole month, sober and in lockdown. I might have to take a break from writing again.

The world is pretty toxic to mental health at the moment. The impending US presidential election, the impending no-deal Brexit, the never-ending pandemic, the impending economic armageddon, the rioting... the lockdown of course, and the effect of being under the same roof 24 x 7 x 365.

I find writing therapeutic, but what am I going to tell you about my present situation every day: it'll be the same. Still need that mountain bike so I can go and exercise, still need to stay sober, still need to eat less, still working on an important project I can't tell you about, still under lockdown, still depressed, still suicidal. It's going to be groundhog day; repetitive.

So, I'm warning you: if I keep writing and you keep reading, things might get pretty samey.

 

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Stock Footage

5 min read

This is a story about creativity...

Shave

If you were to ask 100 people "can you draw?" most of them would answer that they cannot. If you were to ask 100 people "can you paint?" I expect that more would answer that they cannot. If you were to ask 100 people "can you compose and play music?" then most would say that they could not.

However.

If we asked 100 people if they could do a dot-to-dot picture, or paint-by-numbers, or indeed play a piece of music which had already been composed, then most people would say that they could do all of those activities.

What's the difference?

I suppose it must be self-confidence. Since smartphones became ubiquitous, most people would consider themselves to be professional photographers, curating their Instagram pages full of their 'art'. What happened, to change photography from an art into something which the masses think they're brilliant at, and would have no problem answering "yes" if they were asked if they can take photographs. It seems to me, that having taken away the complexities of shutter speed, aperture, film speed, lux levels, considerations about depth-of-field and whether the subject is moving... now that photography is point-and-shoot, everyone thinks that they're brilliant at it.

Why not painting?

I suppose we take photographs all the time. If you have children and/or pets, your phone will be filled with photos of your progeny and/or your fur babies. If you are a youth, your phone will be full of selfies and suchlike. We are, perhaps because of the social changes which have occurred due to technology, getting a lot of practice taking photos, but we are still getting almost no practice painting, unless you are a professional fine artist.

Why not writing?

I find it unusual that, given how much screen time we all have now, writing isn't going in the same direction as photography. For sure, I suppose that people have a Twitter account, but not a blog. People have a blog, but don't write for a newspaper or magazine. People write for a website - like Buzzfeed - but don't have any published books. Perhaps everyone is writing more, which - like photography - makes it seem like people are still rubbish at it; amateur (myself included, of course).

An interesting thing happens when you make a piece of art and put it into the public domain: people who lack the confidence to be creative, connect with that artwork; they are moved by the artwork. If you love a particular song, why don't you learn to play the instruments so that you can make more of that music? It seems a little mad, to think that we each possess the ability to scratch our own itch, but perhaps it isn't true: maybe the world really does divide into creators and consumers.

I wonder why I don't include more quotations and references in my work. It's not because I'm not well read, or I can't think of where my thoughts and ideas came from: I know my source material, almost without exception. However, while my influences are well known to me, I don't see any value in parroting the authors whose work I admire. For sure, I could write a lot about other people's ideas, but it's the amalgamation of the accumulated wealth of knowledge in my mind, which is interesting. I'm not here to masturbate the dicks of the academics who had the good fortune to be afforded the time and space to formulate their own ideas, and publish. No, I already paid for their books; they already got my money. I took the best bits - cherry picked - and used that knowledge to build my own worldview.

I think to attempt to be original is foolish; a childish mistake. When we are young and immature, we choose unusual hairstyles and wear atypical clothes, in an attempt to achieve originality. Of course, there's nothing original about red trousers or a leather skirt studded with metal spikes: those superficial and pathetic attempts at originality are, in fact, the very opposite; the classic clichéd attempts of immature insecure people, to appear original.

I often worry that perhaps I'm trying too hard to be original, making the same immature insecure attempts to deliberately avoid the typical; the common; the ordinary.

I hope that what I'm achieving, is a kind of beautiful simplicity. The authors who I admire the most are the ones who have mastered the English language to such a great extent, that they don't feel the need - driven by insecurity and pomposity - to pepper their prose with long and obscure words. As [George] Orwell wrote: Never use a long word where a short one will do. I know it's a fucking cliché to quote Orwell, which is why I'm fucking doing it: because to deliberately avoid quoting him, in a desperate attempt to appear like more of an original thinker, ironically achieves the opposite.

Of course, there's always a danger whenever we start thinking "I know enough now" and that we can stop reading; stop looking around for influential figures. My worldview is, however, difficult to substantially influence now that I'm older. My mind isn't closed, but don't expect me to suddenly U-turn on some views which are quite integral to my personality and identity, such as being a socialist; a scientist. Don't expect me to suddenly find God, or start writing about how poor people are lazy and we should kill them (or at least let them die; same difference).

To write about writing is a self-indulgence which I too frequently embark upon. Apologies.

 

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I'm Not Sure This is a Good Idea

4 min read

This is a story about hindsight...

Disguise

Imagine this: you've spent your whole life dreaming of becoming a published author, with a fucktonne of readers; perhaps being a bestselling author. Then, one day, you hit the jackpot: your books are flying off the shelves; you have a ton of readers around the world. Thousands of people read your writing every day. Millions read what you wrote every year. Are you happy? Are you content?

What was your objective?

Did you want to get paid for doing something you love? Did you want to convert your love of writing into a profession? Did you want approval; did you need for a publisher to tell you that what you wrote was good, before you'd believe it for yourself? Did you want fame and adulation? Did you need for the general public - en masse - to recognise your brilliance, by luxuriating in the delicious prose which decorates the pages of your books? You've got it now. Are you happy?

Then.

Suddenly you feel very exposed. Your psyche is exposed for all to see. Was it really worth it? With all the money in the world - the best paid author in the business - was it worth the effort, and the sacrifice? Was it worth it to be out there in the world, for everyone to judge?

Now the academics will pore over your words, gaining so-called "insight" into things which never existed; imagining that there is more deep meaning in your writing than ever existed; creating layer-upon-layer of intellectual mastubatory wankstain bullshit, if you're so lucky as to be considered a literary figure of great importance.

You must remain enigmatic. Never explain yourself. Culture your eccentricities: this is your life now. You are creating a myth; a legend. You have to maintain a certain image, if you want to achieve a cult following, and to be somewhat immortalised, insofar as making your way onto the undergrad reading list of an English degree at a substandard academic institution; well-thumbed copies of your book being kept on the shelves of every pretentious student in the land.

Still, is it worth it? Is this what you wanted?

Still, you have to ask yourself, why did you embark upon this fool's errand? Why did you start writing in the first place? What was the point? When will you be satisfied? When will you say that enough is enough?

Then.

There's a backlash. People hate you now. The mood of the country has turned against you. Your so-called 'overnight' success (which took decades to achieve) which inflated your ego to the point that you thought you would be welcome in the national dialogue - the daily discourse - was grossly miscalculated. People fucking hate you. You're the cunt who wrote those bestselling books, and in the popular imagination you're another elitist wealthy shitbag, disconnected from the plight of ordinary people no matter how humble your origins were.

Why did you do this?

Sure, you're rich now; you're a household name. Your face is recognisable. You can court a little controversy and fill the tabloid headlines, easily. Is that what you wanted? Was that your aim, all along?

Ultimately, aren't you infamous? Aren't you known for all the wrong reasons? If there was ever a smidgin of integrity which lurked at the centre of you, isn't that now long lost? You're just an attention seeking publicity whore. You're just a disgrace. You're not an artist. You're not a creator. You're just part of the newspaper-selling, avertising-sellling, merchandise-selling, capitalist machine. You couldn't be more distant from your original "I like writing" origins, even if you tried your hardest.

How did it end up like this?

 

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Infamy

3 min read

This is a story about wanting to be noticed...

Why I write

This is not a pity party, and everyone has an equally valid claim to misery and depression, but it's important - to me - that I relate this part of the most influential period of my life.

At home, I could do nothing right, and was largely ignored other than as an ornament; a clothes horse; a performing animal, let out of its cage to delight the adults, as a party trick, and otherwise told to be quiet and keep out of the way.This, I think, is not unusual, but was greatly exacerbated my lack of a sibling until the age of 10, and my parents' extreme anti-social behaviour, which left me isolated in the extreme: often in very remote rural areas; far from friends and schoolmates.

At school, I could not avoid attention of the wrong kind. My parents' obsession with training me as their performing animal, for their party tricks, meant that I was either alone, or doing my routine for adults. I had no relationships with children, before school. If you want to fuck up your children and ruin their lives, it's quite easy: do everything in your power to make them different so that they don't fit in; deprive them of every opportunity to socialise; force them to act like little adults, instead of allowing them to be children - that will guarantee that they won't fit in at all at school, and they will be bullied from dawn to dusk, every. single. fucking. day.

Good manners and confidence in the company of adults did, briefly, confer an advantage in the workplace. This supposed 'maturity' was useful for making a good first impression. Employers certainly mistook me for a person who was mature beyond their years, but this was entirely superficial: a party trick learned, because it was the only way I was able to receive praise as a child - from the small amount of adult company my parents kept; those rare occasions when I was trotted out and expected to perform. However, I had no maturity at all - the social isolation, the neglect and the deprivation, was masked and hidden behind impeccable manners and precise diction; expansive vocabulary, learned from books.

As life has worn on, my age relative to my peers has become less obvious, less remarkable. Instead, those deep wounds inflicted in childhood have come to the fore. Exacerbated by extreme stress and intolerable circumstances, the socially isolated child, deprived of a social life and otherwise ill-equipped to face the world with the same skills and experience of his peers, has resurfaced. I feel as though I'm suffering the same horrors again.

In extreme circumstances, we revert to 'type'... our 'true' personality surfaces, and our mask slips.

I wonder to myself, as I write stuff which is read by thousands of people who are suffering a life-and-death crisis in their lives, whether I am flirting with infamy. Why do I not implore them to seek professional help and bombard them with crisis counselling phone numbers?

Maybe I'm evil.

[Note: I lost a few hundred words here, because of an auto-save glitch, but I can't be bothered to re-type what I wrote. I hope it still makes sense without the conclusion, as I originally wrote it]

 

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Aide-Mémoire

4 min read

This is a story about writing prompts...

Book

During a more exciting and varied, but also chaotic period of my life, I habitually made a note of writing prompts for myself. I was able to stay somewhat on top of these sparks of inspiration, and turn them into essays, but the list still grew longer and longer.

I've started writing a list of writing prompts again. Currently it has 10 items on it, which have inspired me to write 3 completed essays, which I've now published.

The other thing which inspires me to write, I must admit, is my readers. My readers write to me, which I'm very grateful for, but even those who do not are inspiring me by reading, because there's nothing worse than feeling ignored, irrelevant or otherwise non-existent. However, there's also a temptation - which I try to avoid - of writing stuff which I know will bring me more readers. What's the point of making art, if you're doing it just for popularity and notoriety - surely that isn't art at all?

The majority of my readers - thousands per day - are new readers. Perhaps [most of] my social media followers and [most] friends have tired of the repetitive nature of my writing; the repetition of my story; the lack of any dramatic change in my circumstances. There isn't much narrative in my writing, because there isn't much narrative in my life. In the adventures of employee man, one day looks very much like the next.

Of course, I am grateful that I have a semi-secure source of income - albeit only in the short term - and I have stability and routine. My health and wealth are thriving, relatively speaking, thanks to the boring repetition which is the backbone of my life.

Perhaps I'll dig some more hair-raising tales of near-death and destitution out of my memory banks, to amuse and entertain my readers, but I did promise myself that I wouldn't dwell on the past, and I would attempt to start a new chapter. I would very much like it if I had a substantial period of boring "this is what I ate for breakfast" type typical run-of-the-mill yawnfest blog vapid bullshit, to put some distance between the chaotic, traumatic and nearly fatal period of my life, and the stable, secure life which seems within touching distance; tantalisingly close.

It feels a little odd to not be in the mood to write, because of low social media engagement, given that I almost exclusively transmit - never receive - and otherwise do not engage myself in discourse; do not engage with the community; do not socialise on social media, per se. A cynical accusation that I want to take, but I never give, could be levelled at me, and I would have little defence; I admit that I don't spend a lot of time keeping up with the lives of my Twitter friends, although I am extremely grateful for their continued support, and the occasional message or cat pic.

Also, I'm a little burnt out. I've been working very hard on a demanding project, and I'm extremely emotionally invested; I've been working with maximum intensity. In addition, of course, I pour my guts out every day onto the pages of this website. Writing and publishing a halfway-decent essay every day is not trivial. Those who say I'm not generous with my time and effort, are being unnecessarily cruel and unkind, if not downright wrong.

I'm not out in the community helping little old grannies cross the road or picking up litter, but people do write to me from all around the world every day, to say that my writing has been helpful - in some way - to them. I'm not saying that what I'm doing is particularly praiseworthy, or patting myself on the back in general, but I do put a lot of effort in, and that effort is not entirely a fool's errand.

Anyway, that was today's essay. I hope you liked it. Even just a teeny tiny bit.

 

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Vanity Publishing

5 min read

This is a story about a crowded market...

Art stuff

Remind me again why only certain people are allowed to make music, literature and art. Remind me again why the rest of us are banned from releasing our creative endeavours into the world. Remind me again why the creative arts are the sole preserve of the spoiled brattish kids of rich indulgent parents.

Oh yes. That's right. The internet changed all that.

Sure, the old gatekeepers are still there. Sure, if you want to get signed to a record label, a publishing house, a gallery or some other elitist institution, and publish using their marketing machine, then you'll need to kiss their arses and play by their rules.

Sure, the new gatekeepers are now in place. If you want to have a heap of subscribers on your YouTube channel, listeners on Spotify, or readers on your website, then you'll have to play by the rules of the algorithms; you'll have to comply with the demands of those digital platforms.

But.

Previously, only the likes of a multimillionaire rock star - like Brian Eno - would be able to afford professional-grade music production equipment. Previously, only the likes of a multimillionaire famous author - like Jeffrey Archer - would have been able to self-publish a book. Previously, only a multimillionaire artist - like Damien Hirst - would have been able to get their art seen by vast numbers of people.

Now.

Now is the time of self-publishing.

Sure, it's not great being locked into a platform like Instagram, Facebook, Twitter, YouTube, Amazon, Apple, Spotify or suchlike, in order to get your art out into the world, but it does level the playing field a little. Sure, self-promotion is hard work, and it's still impossible to give up the day job, unless you have a trust fund; the barrier to entry is still extremely high. However, in some ways, the barrier to entry is quite low.

A friend of mine has a YouTube channel, filled with 90+ minute monologues. I sometimes browse the latest videos which my friend has published, and I think "oh god, that's me, isn't it? Pumping out long insane monologues, out into the ether of the internet, where nobody really takes any notice". Not to denigrate my friend's creative output at all, but I am incredibly fearful that I'm adding nothing but noise into the world.

I offer you a quote (as I very rarely do) which I often think about:

"[George] Orwell feared those who would deprive us of information. [Aldous] Huxley feared those who would give us so much [information] that we would be reduced to passivity and egoism" -- Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

I think we are living in Huxley's feared dystopia, in the context of being overwhelmed with information. The 4th industrial revolution - the information revolution - has created the most complicated man-made object: the internet. I often worry that the internet is a curse, not a blessing, given that I end up empathising with the plight of a Fijian villager whose prize pig was stolen, literally on the other side of the world. I rarely leave the house; I rarely talk to my neighbours, but every morning I wake up to an inbox full of people asking me "what's the best way to kill myself?" and "why are you not dead?". The internet is a mixed blessing.

I might look back on this period of creativity with cynicism, bitterness and a jaded outlook, which causes me to think that I was wasting my time. I might - feeling depressed and anxious - reflect that my writing wasn't very good; that I was making a fool of myself in public. The whole endeavour might seem very cringeworthy and embarrassing, with retrospect.

The internet doesn't forget, very easily. I'm somewhat etched into the fabric of the internet now. Stuff I've written is quite literally etched onto metal with lasers, and buried in the Arctic, to preserve it for posterity. Not, I might add, at my own expense. My vanity and ego are gigantic, but not quite big enough -yet- to embark on such a folly as burying some digital keepsakes beneath the frozen tundra; a monument to my own stupidity.

Of course, nobody in their right mind spends 5+ years of their life, writing and publishing 1.3 million words, which remained for the vast majority of that time, largely unread; unnoticed. I am, obviously, more unhinged than my friend with a YouTube channel: at least they didn't have to go to the effort of painstakingly constructing pleasing prose, checked for spelling and grammar, and accompanied by a hand-chosen photo which was Photoshopped to improve it, before publishing. Only a madman would go to all that effort, unpaid; unrewarded.

 

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5 Year Blogging Anniversary

2 min read

This is a story about writing...

Platform 9.75

To date, I have written and published 1,357,076 words on this blog. Today is the 5 year anniversary of me starting this blog. I have published 1,086 blog posts, which is an average of 4 per week. I think many writers would be pleased to write and publish something at least 4 days a week. I'm quite proud of my achievement.

Here are some facts about the past 5 years, in chronological order:

  • I was homeless when I started, on September 6th, 2015
  • I was £21,000 in debt when I started
  • I rented a super cool apartment by the River Thames in late September, 2015
  • I was locked up for a week - voluntarily - on a secure psych ward in October 2015
  • I flew to San Francisco to visit the Golden Gate Bridge, at the end of October 2015
  • Hospitalised for a few weeks with kidney failure, caused by DVT, January 2017
  • Moved to Manchester in July 2017
  • Suicide attempt on September 9th, 2017. Hospitalised in a coma in intensive care
  • Sectioned and held involuntarily on a psych ward, waiting for an appeal for 12 days
  • Won my appeal, but stayed on the psych ward voluntarily for another two weeks
  • Became homeless again
  • Moved to Swansea in October 2017, still homeless
  • Lived in a load of AirBnBs in London midweeek, due to work
  • Debt reached its peak of £54,000. I only had £23 left to spend.
  • Rented an apartment in Swansea with lovely panoramic sea views, in March 2018
  • Moved to Cardiff in March 2019
  • Suicide attempt on December 18th, 2019
  • Hospitalised with kidney failure for almost 3 weeks - discharged January 2020
  • August 2020 my peak of £54,000 debt is fully repaid. I am debt free.
  • I have £300 of savings, having subtracted all taxes and other monies owed

Here are some other interesting facts about the last 5 years:

  • I've worked 44 months out of 60 (73% of the time)
  • I've earned £530,000
  • I've paid £240,000 in tax
  • I've paid £83,000 in rent
  • I've paid £50,000 interest on debt

The numbers are actually pretty impressive, for somebody who's been so sick, homeless and generally suffering a very chaotic stressful life. I'm surprised I've been such a generous contributor to the economy, actually. I've philantropically handed out vast sums of money to banks, governments and landlords. I am, truly, a ragged-trousered philanthropist.

 

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I'm Feeling Lucky

2 min read

This is a story about friction...

Spinning tops

Some days I wish there was an "I'm feeling lucky" button I could hit, which would randomly choose a photograph, title and "This is a story about..." preamble for me, then I would just write my daily essay and be done. Sometimes, I've got nothing I want to say, particularly, which hasn't been said before, ad nauseam.

Yesterday I wrote about my murky past, doing jobs in hated industries. Quite rightly hated, I should add, because of the misery and suffering they cause. I'd be lying if I said I wrote it and didn't care about the reaction: somewhat deafening silence. I don't know what I was expecting. I suppose either a load of villagers with pitchforks and torches, out to lynch me for my evil deeds, or else maybe some people saying "it's OK, Nick, we know you were young and foolish and regret your actions now; we forgive you because you're such a great guy for spilling your guts all over the public internet every single day".

Nope.

Didn't happen.

So, here is a picture of some wooden spinning tops, and a rather bizarre stream-of-consciousness brain dump, which is now ending. Short and sweet. See how you like them apples.

 

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Spouting Tosh

2 min read

This is a story about verbal diarrhoea...

Dusty keyboard

In the interests of writing regularly, but trying not to be repetitive and boring, I sometimes try to pick a subject which will hopefully bring a bit of variety. My writing style is a stream-of-consciousness, so it can be a little difficult to write about a subject I haven't been thinking about; I tend to jump around, in a scatterbrained kind of way. I hope the low quality can be excused.

Having written and published more than 1.3 million words on this website, my next long-term goal is to reach 2 million. When I was getting close to my first million, I became quite fixated with the finishing line, so I was writing an enormous quantity, but the quality for my readers wasn't great.

My present plan is to write 700 words per day, from Monday to Friday, and to have the weekend off... like a 'normal' job. At that rate, I will be producing 182,000 words per year, so I won't hit 2 million words until 2024, which I guess is OK. What's the rush?

The reason for writing 700 words, or fewer, is that it means each essay is a short read instead of a long one. Readers are occasionally in the mood to wade through a long essay, but more often than not, they just want something snack-size. If I hope to cultivate long-term daily readers, I have to avoid bombarding them with more than they can possibly consume.

Why do I even want readers anyway, you might ask. Well, that's easy: why write and publish if nobody's reading? You might as well write in a private diary if you're not going to publish. Frankly, I find it great, to exist in public (a little bit) so that I'm not quite so lonely and alone; isolated. Even though it seems a little strange, to have such a one-sided conversation, it's better than being completely invisible. Without my public presence, I'd have sunk without a trace a long time ago.

I've written 334 words. That's enough for today.

 

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